Comments (9)

  1. Magrel

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    Jun 17,  · //Song: Various Storms & Saints //Artist: Florence and the Machine //Album: How Big How Blue How Beautiful() / //Capo 1 - Chords relative to the capo / Intro: Dsus2 Am/C B7 Am / e|
  2. Yozshuramar

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    And the air was full Of various storms and saints Praying in the street As the banks began to break And I'm in the throes of it Somewhere in the belly of the beast But you took your toll on me So I gave myself over willingly You got a hold on me And I .
  3. Faerg

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    Jun 01,  · Editors' Notes While Florence + The Machine’s first two albums featured frontwoman Florence Welch posed in a theatrical side profile with her eyes closed, this one finds her staring straight into the camera. That sense of immediacy and alertness is palpable on the band’s most mature, cohesive album yet, starting with propulsive opener “Ship to Wreck”.
  4. Gok

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    ‘How Big, How Blue, How Beautiful’ is the brand new album from Brit and Grammy Award nominated multi-platinum selling musical artist Florence + The Machine produced by Markus Dravs (Björk, Arcade Fire, Coldplay).
  5. Gogrel

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    Florence and the Machine have announced How Big How Blue How Beautiful, the follow-up LP to 's Ceremonials. It's out June 2 in the US via Republic and June 1 .
  6. Dakora

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    May 29,  · While her debut album (Lungs) was stunning in production and performance and, her second one (Ceremonials) showed the capabilities of Florence and her band to make such music, this one "How big, how blue, how beautiful", not only displays Florence's best efforts in composing and recording but also in approaching herself into masterpieces that in a /5(K).
  7. Gardazuru

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    May 29,  · “Hiding” is a bonus track on the deluxe edition of How Big, How Blue, How Beautiful, Florence + The Machine’s third studio album.
  8. Fenrizragore

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    ‘How Big, How Blue, How Beautiful’ is about as stripped down as Florence + The Machine can get, and its songs are among the band’s most hopeful. To .
  9. Voodoocage

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    Mar 23,  · “St. Jude” is a somber, low-key track. It relates both the patron saint of lost causes and the British storm of the same name as Florence contemplates her failing relationship.

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